20090205
Zen proverb: Enlightenment
20090108
Zee
"I do like to be beside the seaside,
Oh, I do like to be beside the sea ...", I was humming to myself the other day, walking on the beach, when I came across these lines in the sand:
The moon, at this point, was ebbing the tide, and so the interface had moved away from where the child(?) had drawn the pointer.
20081222
the sun hung lowest
20081122
separate right foot
I’m always grateful after class. I enjoy going to share in the practice with others. It's good to synchronise my movements with those of my classmates. I find this gives me a feeling of being energised and relaxed at the same time.
When teaching class I’m thankful each time for the opportunity to deepen my own practice as I’m demonstrating the details of the form for the first time to a learner.
Lately it has been Separate Right Foot. Stepping back from Golden Rooster Standing On Right Leg, forming the ward-offs, transferring the weight, crossing the hands, turning the waist, kicking, arms unfolding “as do the edges of an opening fan”, exerting no strength from the shoulders. Wonderful!
20081021
standing like a mountain
20080829
tai chi: wrestling versus dancing
This is a constant tension in our practice, are we going through a form or are we practising applications?
I'm in the latter camp really, it's wonderful to read this book.
(My copy is by Penguin Classics, trans. by Martin Hammond)
20080702
20080618
20080531
Chance is always powerful

As Ovid said: let your hook be always cast; in the pool where you least expect it, there will be a fish. I practise each day to get my hook cast. When we practise together, we emphasise hooking each other, joining our intention to make the interaction more alive.
In a few days I will give a class, an introductory class, to complete beginners. Always a special challenge to take a short time and a crowd and see if something clicks.
Does anyone, me included, walk away the better for it ...
20080329
The finger or the Moon


I'm reading The Elements of Tai Chi, by Paul Crompton, at the moment. In his introduction, he says Tai Chi developed at a time when Taoists influenced thinking and conduct at many levels in Chinese society but that now the total situation into which Tai Chi was introduced is gone.
Tai Chi is like a finger pointing at the Moon. The student can either study the finger [Buddha] or look at the Moon [Buddha's teaching].
This seems to be the idea behind Yoshitoshi's picture, done circa 1892, and which I saw recently at the Chester Beatty Library.
His own haiku reads:
Holding back the night
With its increasing brilliance
The summer moon
(Yoshitoshi’s death poem)
20080317
Pushing Hands
20080224
Ward Off
20080126
tai chi painting photgraphy travel
20071126
A Topical Thought
- Henry David Thoreau
MMVI XI XXVI
20070911
20070910
20070427
How Long Must I Practice?
'lifting hands' & 'playing guitar'
these are two positions for rooting discipline when 'the heart of the foot should adhere to the ground' [see Book 4 of my previous entry]. Here, one is reminded of the fundamental rooting practices, standing on one leg first and then the other for several minutes. One can use fingers on the back of a chair at first to help maintain balance and gradually get to the point of not needing the hands at all.
20070317
my 20061106 entry continued
TAI CHI The Supreme Ultimate by Robert Galante, Weiser, ISBN 0-87728-497-0
From p. 89: "The Solo Form presented in this book is the 'short' Yang style as taught to me by Grand Master Cheng Man-ch'ing"
T'AI CHI Classics, trans with commentary by Waysun Liao, Shambhala, ISBN 1-57062-749-5
From p.95: "The T'ai Chi Form originated as the thirteen postures of meditation. these are the eight postures, or directions- ... - in combination with the five different ways to maneuvre the eight meditative postures ..."
Cheng Tzu's Thirteen Treatises on T'ai Chi Ch'uan, by Cheng Man Ch'ing, North Atlantic Books, ISBN 0-938190-45-8
From p. 91: " 'I'm not a meat rack; why do you hang on my body?' "
There Are No Secrets, by Wolfe Lowenthal, North Atlantic Books, ISBN 1-55643-112-0
From p. 61: "Mastery of the art of Tai Chi Chuan is difficult; one of the functions of push hands is to remind us of how far we have to go."
The Tao Of Health and Longevity, by Da Liu, Marlowe & Co., ISBN 1-56924-718-8
From p.52: "Each of the individual movements has a potential use for self-defense, and some are named after this use. Other are named after the movement of animals that they imitate."






